Sports Broadcasting Internship

This position works closely with the director. This person will program the Kahuna switcher to deliver all camera shots, graphics, roll-in and replays to the program stream for the audience to see. He follows the instructions of the director, as well as works as an assistant to the director on garnering the correct shot or flow to the program.

This position works the camera to gain usable images of the sporting events. Depending on the camera location, the images may consist of extreme wide shots of game action, close-ups of particular players in action, cutaways of other various images such as coach, fans, referees, scoring action, etc. The camera person will also be responsible for properly setting up and tearing down their own equipment; as well as, placing said equipment back in storage.

This position is responsible for a full screen and keyed graphics material, text and facts. Much of creative side of this position is done before the game begins. The Graphics Operator must confirm, input and create pre-game stats and facts, starting line ups, player spotlights, various keys to ID multiple players and personnel. During the events the Graphics Operator continues to update stats, supply graphics to TD/Director and enhance Commentator verbiage.

This position consists of recording live game action, storing and organizing recorded clips and have clips available upon request from Director or Commentator. If multitasker fits any position it would be this one. This person needs to be highly organized and have a good visual memory. Some material requested can and will be asked well after recorded time. This person will also be responsible for compiling highlight montage(s) of a particular request; for example, player, top defense, game changing, etc.

This position consists of setting the server play back to commercials and other video roll-ins to be used during the program. This person also assists the Graphics Operator with spot checking and information gathering.

This position is responsible for all audio broadcast from the recorded event. The Audio Engineer is responsible to control volume, intensity and balance of multiple audio sources, such as, live audio, roll-ins, musical output, etc. He will also be responsible to set up and check and Commentator microphones. The Audio Engineer will consist of pre-game, game time and post-game actions.

This position’s sole duty is for the camera images that reach the program stream are as clear and clean as possible. The Engineer will work closely with the Camera Operators during set up to help balance light and color levels on all cameras. During the game the Engineer is responsible for the ever changes in color and brightness that consistently affect a live action event. The video Engineer is also responsible for the recording of program stream and its delivery to its multiple locations.

This position is not for the shy. This person will be the face of the broadcast, although our commentator is responsible for much more. This person needs to be prepared for pre-game, game action and post-game knowledge, input and explanations. Much of this person’s monologue is either ad-lib or impromptu. The Play-by Play Announcer is to make sure the flow of the verbal programming is fluid, comprehensible and concise.

This position is not for the shy. This person will be the face of the broadcast, although our commentator is responsible for much more. This person needs to be prepared for pre-game, game action and post-game knowledge, input and explanations. Much of this person’s monologue is either ad-lib or impromptu; yet, unlike the Play-by-Play Announcer, this person’s monologues are more observational based and is descriptions and stories of discussed topics.

This position has more work outside of the game than during the game. The editor will create news packages and roll-ins for broadcast. This person will need to be a self-starter and independent worker.

This position will consist of daily announcements and material that coincide with the sporting events at Governors State University. This person will also broadcast via text and images during the events with live stats, comments and pictures on the various social media platforms.

A: The internship program is available to all GSU students who are eligible for internship credits as a part of your area of studies. It is recommended that non-media students discuss the opportunity with their advisors to make sure this internship qualifies for your requirements.

A: The internship program works like any class you register for at GSU. The Sports Programming requirement is any intern can only register for 15 credit hours max including your internship credits. EX: Student has 4 classes at 3 credit hours a piece = 12 credit hours. Student takes 3 credit hours of internship = 3 credit hours. 12 class credit hours + 2 intern credits = 15 total.

A: The Live Sports Programming internship is open to all, but it is a highly competitive position. DLMD will hire the top candidates. We request that candidate have taken MST 2100 at GSU. Although, we know that some come in with Media production from High School or other locales. We are willing to discuss your experience.

A: This topic is being discussed. At this time, it is not a paid position; yet, we believe the wealth of experience for this internship outweighs the monetary gain. There is no CCAC Conference school, or Division I school or Division II, that is producing a game at a higher quality or at the professional level that Governors State University strives for in its productions.

A: Yes. You may sign up for the fall and spring internships. We highly encourage you to do so.

A: The Fall internship does have both sports as one internship to qualify for enough contact hours for the student.

A: Part of the internship is to participate in a mandatory training program which are during the day. You will be trained on the equipment, the set up process, tear down process and production protocol. We will also have 1 to 2 “dress rehearsals” covering a team scrimmage.

A: You can take 1 or 2 credit hours. It is up to you and your schedule.

A: For every credit hour you take for your internship you must work 45 hours for us.

A: The schedule is being organized for the Volleyball season and the basketball season. Games happen on weekday nights and weekends. Volleyball productions last from 2-4 hours and 4 – 7 hours for basketball.

A: No. We would never ask a student to skip their other classes. We will get you a season schedule as soon as possible so there is a possibility you can choose classes that keep you available for games. We understand that when accepting this internship position a student may not know what their next semester classes are going to be or when they are scheduled.

A: We empathize with what a college student has to do “to make ends meet.” We have discovered that corporations and businesses are also empathetic to the college student’s needs. This is why we give you a schedule early enough to work with your supervisor to get time off or adjust a schedule. If, due to needing to work, affects your ability to accomplish the needed hours for the internship you will lose the credit hours. This internship IS credit hours. We don’t think you are missing classes due to work, so why miss broadcasts?

A: We prefer you be there for games and will hire those who can be there for games. That said, we will, from time to time, have coaches interview, player interviews, remote shoots available, but we do not want these to be the replacement of your game experience.